Producer Max Howard Visits Escape Jan 31st 2024

Max Howard

Tomorrow Wednesday 31st January Escape Studios at 11am Escape Studios welcomes animation producer Max Howard to talk to our second year animation students about producing animation.

Max has many years of experience of animation production, having run animation divisions at Disney, DreamWorks and Warner Bros Feature Animation.

Industry talks and feedback and feedback at the heart of what we do at Escape Studios; one of the Five Pillars of the Escape Method.  

Our second year animation students will soon begin working in groups on their short film projects, part of Module PR5001. 

Max Howard

Max Howard
Max has set up and run animation studios for Walt Disney Feature Animation in London, Paris, Orlando and Los Angeles, and in the late 1990s was president of Warner Bros. Feature Animation; his credits include Who Framed Roger Rabbit?, Spirit: Stallion of the Cimarron, and Igor.

Melwood Pictures
Max also runs two independent film companies, Melwood Pictures, and the Max Howard Consulting Group. He has an honourary Doctorate of Arts from Teesside University, and is the Chancellor of Middlesbrough Children's University.  In 2015 Max began working in China for the DeTao Group, where he has been developing animated feature films based on Chinese content.

The Importance of Story

Every film begins with a story

Max stresses the importance of a clear, well-told story.  One of the biggest challenges of film-making is seeing your work through the eyes of an audience which has never seen it before, and taking nothing for granted.  

Is it Clear?

Just because you know the story of your film, that doesn’t mean that the audience will understand it. Being able to tell a clear story with an emotional connection is one of the core skills our students learn at Escape Studios.

Avoid Clichés (but make sure you have a better idea)

"Explosive Love" created in PR5001 in 2022

All filmmakers like to avoid clichés, but they should not be avoided at any price, especially if by avoiding the cliché the storytelling becomes unclear. Clichés work - so beware of throwing them out - unless you have a better idea.

Film conventions such as violins playing over emotional scenes, or rain beating on a window, exist for a reason.  These are clichés, but they work. If you get rid of the cliché, first make sure you have a better solution.

The Art of the pitch
Max has a good deal to say about the art of the pitch, especially the confidence that needs to go with a strong pitch. When you pitch, your goal is to "take control of the room". 

And, whatever you show, try to "avoid qualifying what you’ve done - don’t apologise for it". You are there to inspire confidence and leadership.

Feedback from Framestore's Oz Gani

Industry feedback
Here at Escape Studios we also host regular industry feedback sessions, where students can get feedback from industry guests.  Industry feedback forms one of the five pillars of "The Escape Method", and is important because it helps to keep us grounded in the real world of the animation industry, reminding us of what animators will be expected to do when they are facing actual clients.

Getting feedback for our students from industry is very much at the heart of what we do at Escape Studios, and there is no better way to get our students up to industry standard than to bring in professionals to critique their work.

Undergraduate Student Experience at Escape Studios

• First year at Escape Studios. 
• Second year at Escape Studios
• Third Year at Escape Studios
• Fourth and final year (integrated MArt).

The Escape Studios Animation Blog offers a personal view on the art of animation and visual effects. To apply for one of our courses, follow this link.