I was there this past week visiting Stuart Sumida, the paleontologist-turned-movie consultant, who has advised on the science behind animal locomotion and behaviour since The Lion King back in 1993.
Stuart describes himself as a “paleontologist who gets to work with animators” and, while his day job is to teach anatomy to medical students, he also consults on movies for Disney, Pixar and DreamWorks. Right now he is at DreamWorks, working on a number of animated film projects for the company's new owners, NBC/Universal.
|Hanging out with Po at DreamWorks|
Stuart has visited us at Escape Studios on a number of occasions, helping our animators to better understand the science behind how animals and creatures move.
I got to work with Stuart on Lion King (1993) and Spirit (1999), when his job was to advise the animation crew on the anatomy and science behind the animal locomotion.
I was lucky enough to work at DreamWorks for four years, from 1998 to 2002, working as an animator on a number of projects including The Road to El Dorado, Spirit - Stallion of the Cimarron, and Sinbad.
Most of the crew who worked there with me have since moved on, but a few remain. Head of animation Kristof Serrand and lead animator William Salazar are both still at DreamWorks, working on new animated film projects. Last year William directed his fisrt short film "Bird Karma". We'll be looking forward to welcoming them both to talk to our students at Escape next time they are in London.
Katzenberg spared little expense to create what feels like a small Italian Renaissance town, complete with campanile, olive groves - and of course an excellent restaurant, which has the added advantage of being free.
|Me and Shrek - together at last|
And, increasingly, DreamWorks projects are coming to London. Jellyfish Animation, where a number of our Escapees work, has been working on some co-productions with DreamWorks, at their studio in London and also at their new studio in Sheffield.
Our job at Escape Studios is to make sure that our animators are properly trained and job-ready, such as Henry Fenwick, currently working at Jellyfish in London.
Work visa restrictions make it hard for British subjects to work legally in the USA (though it is possible, in certain circumstances). However, London's animation scene continues to thrive, and there is no reason why our Escapees and graduates can't work on DreamWorks projects right here in the UK.
The Escape Studios Animation Blog offers a personal view on the art of animation and visual effects. To apply for our BA/MArt in 3D Animation, follow this link. To apply for our storyboarding evening class, visit this page here. For the next 12 week animation course, click here.